“I mean, this is the band for the rest of my life. “It’s worth noting See What You Started by Continuing was really the demo for this band as it stands right now,” Roland points out, referring to the 2015 album that realigned the rock quintet’s creative compass. ![]() Actually, the word current is a bit of a misnomer, since Roland truly believes the Collective Soul of the here and now is as permanently intertwined as any group of musicians he’s ever worked with over the course of his illustrious career. ![]() In following his ever-tenacious muse, Roland is always looking to connect with his current Collective Soul bandmates any which way he can. I live in the studio - but then the time comes when I go, ‘Well, now I wanna go play live.’ I just love the creation of music, and the process of finding out what’s gonna happen with it next. “I mean, I don’t know what else to do, because that’s what I love to do. “People ask me if I have a hobby, but for me, it’s just music,” Roland confirms. The record should be a crowd pleaser for long time fans of the band.It’s probably (well, definitely) somewhat of an understatement to say Collective Soul frontman and chief songwriter Ed Roland is unwaveringly driven in his desire to double down on doing more of what he does best - making music, sweet music, both in the studio and onstage. Three decades into the band’s career, Collective Soul still has something to say and Vibrating has an awful lot to like. “I can’t feel like you/ I could take you back/ But today’s not tomorrow’s news,” Roland sings on the lovelorn ballad.Ĭollective Soul concludes the record with the CCR-inspired “Where Do I Go,” mixing a melodic Southern country with rock and a group singalong at the end. It’s the slowest tune on the entire album and the only one of its kind here, carrying on the tradition of “The World I Know.” “Looking Around” reintroduces the Georgia influence and mid-tempo bluesy swagger.Įthereal lovelorn ballad “Back Again,” which still has a strong rock backbone, then throws a bit of a curve into the mix. The infectious, percussive-groove-heavy “A Conversation With” stays very much in the same territory, Roland leading the way. Roland’s singing is expressive and offers added bluesy swagger in one of the album’s better moments. It’s an acoustic-driven mid-tempo rock tune that sits right in the pocket. “Rule #1” brings a decidedly ’90s pop-rock flair. The dual attack guitar solo breaks down into Roland singing a cappella before the song rolls on to its conclusion. It fuses the big vocal melodies of ’80s rock and roll with a Southern rock sensibility. “Undone” is the first track to decidedly slow the pace to mid-tempo. “Take” floats between the melodic and the heavy, with all the riffs to go around, but also offers an acoustic-laden melodic chorus. It’s not difficult to envision Collective Soul in a room banging out the tracks together. The majority of the record has a very organic and feeling to it. This song features some interesting drumming by Johnny Rabb. Roland’s vocal delivery is strong and shows off his adept range. “All Our Pieces” is still upbeat but has more of a folky, Tom-Petty-inspired classic rock feel. shows,” Roland sings. At its conclusion, it even features a fadeout instead of a straight-up ending, something rarely heard on recordings these days. ![]() ![]() “Been chasing after shadows/ Chasing what who really knows/ Been catching up to nothing/ Catching up on T.V. Singer Ed Roland gets a little more space to stretch out on this one. The energy keeps up for “Reason,” which picks up right where the opener leaves off.
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